Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Sunday, November 1, 2015

November

I've been reading a lot of poetry with my grandma lately. Here are some of her favorites for November:
portrait of Thomas Hood, artist unknown

No! (November) by Thomas Hood

    No sun—no moon!
        No morn—no noon—
No dawn—no dusk—no proper time of day—
        No sky—no earthly view—
        No distance looking blue—
No road—no street—no “t’other side the way”—
        No end to any Row—
        No indications where the Crescents go—
        No top to any steeple—
No recognitions of familiar people—
        No courtesies for showing ‘em—
        No knowing ‘em!
No traveling at all—no locomotion,
No inkling of the way—no notion—
        “No go”—by land or ocean—
        No mail—no post—
        No news from any foreign coast—
No Park—no Ring—no afternoon gentility—
        No company—no nobility—
No warmth, no cheerfulness, no healthful ease,
   No comfortable feel in any member—
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
        November!

unfinished portrait of Christina Rossetti by John Brett

Who Has Seen the Wind? by Christina Rossetti

Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.

Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.

portrait of Lord Tennyson by Alice Hambidge
The Brook by Alfred, Lord Tennyson 

 I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow. 

 I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows. 

 I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.


Tuesday, October 13, 2015

Fairy Tales for Halloween

The first scary story I ever heard was read to me on a cassette tape by my grandma when I was three years old. In the story, a Scottish folk tale called "The Hobyahs," the villains are ostensibly the bogeymen of the title. However, I always found the callous, dog-dismembering old man to be much more frightening.

(read "The Hobyahs" on Project Gutenberg)

The tale of Mr. Fox shows up in collections of English fairy tales, but has connections to "The Robber Bridegroom," collected by the Grimms, and to Charles Perrault's "Bluebeard." What I love about this story, besides its Gothic imagery, is the heroine's pluck and bravery (described as "high spiritedness" in my print edition).



(Read "Mr. Fox" for yourself here)

The great Angela Carter wrote her own take on the Bluebeard story, which can be found in her fantastic short story collection The Bloody Chamber. Neil Jordan later adapted it as a film, The Company of Wolves. Loosely based on the tale of Little Red Riding Hood, it's one of my favorites.

still from The Company of Wolves (1984)

Friday, December 5, 2014

Richard William's 'A Christmas Carol'



In 1970, Richard Williams, known for Who Framed Roger Rabbit and The Thief and the Cobbler, directed an animated version of Charles Dickens' A Christmas Carol for the American Broadcasting Company. Ken Harris, who worked on a number of Warner Bros. and Hanna-Barbera cartoons as well as How the Grinch Stole Christmas, served as chief animator. The animation style, aimed at an adult audience, is based on original 19th century engravings for the book by John Leech and Gustave Doré. The resulting film is dark and completely unique. It won the Oscar for Best Animated Short Film in 1972. Watch it below:





Sunday, September 29, 2013

Jim Henson Shorts

Jim Henson would have turned 77 last week. On what would have been his birthday, the Henson Company released "Drums West," a recently discovered short animated film made by Jim in 1961. I love the brief footage at the end of Jim at his paper-covered work table in the midst of making the film. Here are more of my favorite Jim Henson film experiments:

"Time Piece"

Made in 1964-65, Jim wrote, directed and starred in this surreal 9 minute short which was nominated for an Academy Award.

"Idea Man"

An experimental short from 1966, animated and narrated by Jim Henson.

Test footage for The Dark Crystal:
Early tests for the Podling puppets.


Tests for a rock puppet made by Cheryl Henson in 1979.


Testing early Gelfling puppets, Mystics and other forest creatures at Jim Henson's home in New York, 1978.

Finally, one of my favorite shorts from Sesame Street, produced in 1970 by Jim Henson and directed by Frank Oz, who also built the amazing contraption:
Another version with an alternate ending is here.

Saturday, August 31, 2013

West of the Moon

West of the Moon, a truly lovely short film by Brent Bonacorso, based on the book El Monstruo de Colores No Tiene Boca by Roger Omar, an illustrated collection of interviews with hundreds of children about their dreams. You may read more about Omar's project here.

West of the Moon from Brent Bonacorso. Watching in full screen is recommended!



Tuesday, December 11, 2012

Christmas illustrations...

One of the great joys of my childhood was receiving Cricket magazine in the post. Cricket was (and is) an amazing literary magazine for children, full of stories, poems and beautiful illustrations. At a young age it introduced me to some of my favorite authors and illustrators. I still have most of my back issues, many worn from reading and re-reading.

Cricket's covers were always glossy and beautiful. When I was little and living in Hawaii the snowy, wintry pictures made it feel like Christmas despite the balmy temperatures and palm trees. Here are some of my favorite illustrations from winter issues of Cricket, spanning from 1985 to 1993 (click images to view larger)...


"The Little Fir Tree" watercolor, pen and ink drawings with numbered captions by Erik Blegvad from the story by Hans Christian Andersen, from the December 1991 issue:




"The Ice Maiden" pastel, watercolor, and acrylic painting by Leo and Diane Dillon, from the February 1993 issue:

Old Kris oil on canvas by NC Wyeth, 1925, from the December 1985 issue:

"Stellar Angels" watercolor, tempera, and colored pencils by Tomie dePaola, from the December 1989 issue:

"Dragons and Gargoyles of Princeton" pen and ink, watercolor, colored pencil, and magic marker by Lynne Cherry, from the January 1986 issue:


Wednesday, October 31, 2012

October travels

I recently met up with my sister, who shares my predilection for things odd and uncanny, for a road trip to Philadelphia to watch the leaves change and visit some unusual museums.

Eastern State Penitentiary was built in 1829 and abandoned in 1971. Designed to enforce solitude and inspire penitence, it is now preserved in an eerie state of decay.

The space is much more affecting and evocative as a ruin than it would be restored and pristine. It is also said to be haunted.

Some of the cells hold pieces commissioned by local artists, such as an collection of entomological specimens by Greg Cowper and a beautiful stained glass series by Judith Schaechter entitled The Battle of Carnival and Lent.

I have been enamored of Schaechter's work since coming across an image of Jazz Funeral for Didi several years ago, and it was fantastic to see her windows in person.

After the penitentiary we walked down to the Mütter Museum at the College of Physicians of Philadelphia, which houses a collection of medical and anatomical specimens. The Soap Lady (depicted here in a truly lovely sketch by John G. Mundie) and the death cast (and shared liver) of Chang and Eng are housed there, as well as Einstein's brain. Sadly, they do not allow photography. Currently on display is a small but interesting exhibition entitled "Grimms' Anatomy" pairing excerpts from Grimms' fairy tales and rare illustrated volumes with corresponding anatomical specimens.

Also on display is a room curated by the Brothers Quay, and an accompanying film, Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos and Afterbreezes in the Mutter Museum). Not as striking as their collaboration with the Wellcome Collection in London (The Phantom Museum, available to watch here), but still worth seeing. NPR did a piece on their creation of the film, which can be heard here... possibly more interesting than the finished product.

All in all a satisfyingly odd and Autumnal October outing.


Happy Halloween!


Wednesday, April 8, 2009

Books and Black Holes

Lincoln had his melancholia, Churchill had his black dog, and I occasionally fall into black holes. Sometimes I can be in one for quite some time before I realize I have to dig myself out. It helps to remember things I like; in the past I have used this as a place to share things that make me happy, but I've gotten out of practice. So, it seems a good time for spring cleaning, both here and in my head.

Books are some of my most favorite things, and I was lucky enough to recently find a copy of the first American edition of Michael Ende's The Neverending Story. I first read it as a teenager, but the copy I borrowed from the library was printed in black ink with no illustrations. My beautiful new (old) copy has text printed in the proper red and green with 26 illustrations by Roswitha Quadflieg illuminating the chapter heads, one for each letter of the alphabet.

Here are some images from the book... more pictures, including Roswitha Quadflieg's full alphabet can be found here.







If you've never read The Neverending Story run out and get a copy; even if it's a paperback in black and white you won't be disappointed. If you're able to read it in the original German then lucky you!

..and if you're still reading this after all this time, or still checking in, hello again.

Saturday, August 2, 2008

dancing pigs in charity shops

A few days ago I found the most wonderful book in my local Oxfam about the 1971 ballet film Tales of Beatrix Potter. It contains a script for the film as well as background on the development of the production. My favorite part details the creation of the costumes, which were co-designed by Christine Edzard, who also directed The Children's Midsummer Night's Dream, and artist Rotislav Doboujinsky, who designed and built the stunning animal masks. I love this quote on Doboujinsky's working practice:

"Doboujinsky works at his own pace - and to his own standard of perfection. 'Now and again I have found no good solution to a problem,' he says. 'Then I renounce,' - renounce not compromise. He must almost have renounced Hunca Munca; thirteen times that winter he made her mask and it was not until February 1970 that, with the fourteenth attempt he was satisfied."

The characters were all performed by dancers from the Royal Ballet. Below are pictures of Jeremy Fisher, who has the most fantastic stripy-stockinged legs, Mrs. Tittlemouse and Johnny Town-Mouse, several waltzing mice, the foxy "sandy-whiskered gentleman", Pigling Bland and friends on a picnic, and a group of extra tails.










Construction materials included:

"60 yards of paper for tails
5 lbs pig bristles - half white - prepared solid, product of Poland
Gallons of various glues
Bags and bags of feathers - marabou, duck feathers, swan feathers
12 pairs of artificial hands (hired) on which to fit paws
Marbles: ping-pong balls : sugar basins"


..and a Van de Graaff generator for affixing animal hair to glue-covered masks!

Isn't it delightful?

Monday, July 28, 2008

the forest for the trees

Today I've started making a tiny forest out of twigs, and I'm excited to see how it will turn out.

For inspiration I've been looking at the work of Russian artist Ivan Bilibin. Here are two of his illustrations, published in 1900, of the red rider who brings the sunrise and the black rider who brings the night from the Russian fairytale Vasilisa the Beautiful.

(click for much larger images)


The full story can be read here. Baba Yaga the witch, who flies around in a giant mortar and has a house on chicken feet, makes an appearance. It is well worth reading.

For the last several nights as I've been going to sleep I've found ladybugs on my bedside table. I've been visited by red ones with black spots and black ones with red spots. Even if I let them out the open window they come right back in. I wonder if they'll be back again this evening?


(detail from the Alexander Marshal Insect Watercolors Album, ca. 1600-1680)

Saturday, July 26, 2008

mal à la tête

When I was younger, throughout most of my school career and into my early twenties, I suffered from terrible headaches. In the summer we used to visit my grandparents in Maryland, and sometimes made trips to the Smithsonian Museum of Natural History. At a young age I fell in love with the Smithsonian's collection of trepanned skulls.



Trepanation is the process of cutting a hole in the skull to relieve pain or pressure. The skulls at the Smithsonian were from ancient tribes who believed headaches were caused by evil spirits, and that by cutting holes in the skull the spirits would be set free. The holes were often made with stone tools while the patient was still awake. Many of the skulls had more than one perforation, sometimes cut into decorative shapes and often partially healed. I was fascinated by these skulls, and imagined what it would have been like to live in one of these cultures and be trepanned instead of sent to the school nurse.

This week I have been having headaches again. My dictionary of superstitions suggests that these could be caused by a thieving magpie using my hair in its nest. It also provides a spell for headache relief, in which lengths of red wool are wound around the affected part as a "measuring cure." Other helpful suggestions include rubbing a stone or salt on my forehead or wearing nutmeg.



Instead I think I might just have some ice cream and go to bed.

Tuesday, June 3, 2008

looking through the center of the world

Last night after watching an unintentionally silly production of The Revenger's Tragedy at the National I walked down the South Bank to see the Telectroscope.


The Telectroscope was created by artist Paul StGeorge with the help of Artichoke, the arts group who helped bring The Sultan's Elephant to London. Supposedly, more than 100 years after it was begun by (fictional) Victorian inventor Alexander Stanhope StGeorge, a tunnel running under the Atlantic ocean was completed and "an extraordinary optical device called a Telectroscope installed at both ends which miraculously allows people to see right through the Earth from London to New York and vice versa."



In reality the Telectroscopes are video installations erected in New York City and London allowing viewers on either end to interact in real time.

When we were there last night it was sunny in New York, and people on both sides were laughing and waving and holding up signs to communicate.

More images (including the giant drill bit used in the installation) can be found here, and people's experiences of the Telectroscope can be found on the Telectroscope blog.

Monday, April 28, 2008

Pirat

..a short Czech animation by Jan Bubeníček and Bretislav Pojar. I'm such a sucker for pirates. And puppet films. A pirate puppet film, ahhh...

Part one:


Part two:


Apologies for being quiet, but it's been so sunny and I've been up to my elbows in pulp and wire and epoxy.

(note: the videos seem to be down, but check out clips from Pirat here and here, and Jan Bubeníček's lovely director's reel here!)

Wednesday, April 2, 2008

still more beautiful things

Sculptures by Kathryn Spence, made from thread, trash, lint, string, wire, doll clothes and fabric scraps:

Untitled (5 Wrens, 1 Blackbird, 1 Paperbag, 1 Blue Jay, 1 Robin)

Untitled (figure)

..and fine art taxidermy by Polly Morgan:

For Sorrow


Tuesday, April 1, 2008

noodleheads, nincompoops, mooncalfs, ninnyhammers & fools

"The highest form of bliss is living with a certain degree of folly."
-Erasmus

When I was little one of my favorite books was an edition of The Wise Men of Gotham, retold and illustrated by Malcolm Carrick. The people of Gotham were said to have feigned foolishness to keep King John from staying in their village in the 13th century. The stories recount villagers drowning eels, sending rent away tied to a hare, failing to trap a cuckoo in a hedge and other misadventures.

The book is silly and wonderful and had an incredible smell the way some books do, a bit like a mature cheese. When I was very small I somehow thought this was because one of the tales was about a man rolling his cheeses down a hill in the belief they would take themselves to market. This and other Gotham tales can be read on Project Gutenberg.

Another story about a fool who is not entirely foolish is the Russian fairy tale The Fool of the World and the Flying Ship. It is about a simple young man who wins the hand of the Tsar's daughter with a flying ship and the help of a strange band of travelers. Here is the first part of a 1990 stop motion puppet version by Cosgrove Hall:

A full version of the story can be read here.

Happy April Fool's Day to you!